[SCENE I. MELISSA and SARAH’s house. SARAH is downstairs, eating breakfast in her pajamas and robe. She looks cheerful and alert as ever. MELISSA comes downstairs yawning and looking out of it, and stops when she sees SARAH sitting there eating breakfast.] Continue reading
[SCENE I. The Jaded Old Crone. MELISSA is eating lunch with NICHOLAS. He is nearly finished; she looks incredibly distracted and is mostly just poking at a plate of untouched food with her fork.] Continue reading
[SCENE I. Belowdecks on a smuggling boat. SARAH is tied to a chair in a mostly dark room. She looks more annoyed than anything. After a few moments, the CAPTAIN walks in, casting a harsh light on SARAH. She winces and glares at him.] Continue reading
[SCENE I. The island, night. MELINA and GAVIN are walking through the forest. MELINA looks annoyed; GAVIN looks worried.] Continue reading
I had a post typed up for tonight, and then Firefox ate it (yes, I should draft somewhere more secure). It will be up tomorrow. Regular updates should resume this week. Sorry for the inconvenience.
[SCENE I. A warehouse somewhere in Portland. A montage of JEREMY constructing the snark–spindly, hairy, with prominent bug-eyes and nasty claws and teeth. He appears to be working from SARAH’s earlier sketch. Eventually the beast is complete and MELINA and GAVIN are brought in and do some rehearsals. At the end of one such rehearsal, GAVIN has a triumphant grin on his face.] Continue reading